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Gerard DiLeo's avatar

Hat's off to you, Fernando. Bravo. The diction is "caliginous"—a new world I learned that is defined as dark, obscure, and misty, but a deep dive into the OED talks about how those things embody being in a cave's damp, dark, creepiness.

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David McCoy's avatar

Love it. I am still digesting. What I love is a new iteration of Newspeak in dystopian literature, following in the tradition of Orwell's 1984. And consistency in its deployment. There are whiffs and puffs of Harry Potter (I believe the series is culture-shaping and telling, however annoying) but smothering all the joy of House identification that the fabled series allots. I know this is not about Mexico, but, you know: "Third Mexican Lie, when it's not about Mexico, it's about Mexico." Oh, the footnote. Major judicial reform or deconstruction in Mexico apart, what is the universal here? So many directions to go. What I took from this is that there are no true roads to equilibrium (please gods, who do not exist, just equilibrium), but just vain hope that equilibrium is the best you can do. It is also hard not to mention the recent Emmys, which I know you cannot predict with your precise fiction, but I prefer to think you are attuned. What is the role and significance of the Bear in your story? Why does he pivot to the protagonist? PS "caliginous" is great, but could you include more callipygian descriptions? Rubenesque would be the ideal. Love this struggle over how to confront, or not, power. That was my big take-away. It is reluctant and probably doomed.

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